2024 the Year of Women in Production
Click to enlarge the photo |
The theatre can not and would not have survived without the work, passion, and skill of the women in our history and we can not thank them enough for their contributions.
This is a particularly special season for Town & Country Players! This is the first in our 77 year history in which all of our directors and producers are women. We are proud to spend the entire YEAR celebrating them! Throughout the year, we will be featuring profiles on all of the women on our production teams, beginning this month with 9 to 5! Scroll down to catch all of the profiles of the women who make our 2024 Season so spectacular! |
November 2024 - Cinderella
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We are thrilled to share next batch of amazing women creators as part of our Year of Women in Production! Kallie Cooper-Damon is the director for our wonderful production of Cinderella that is running right now at Town & Country Players! Check out her interview below!
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How long have you done theatre?
Middle School
How long have you worked with Town & Country?
Since 2010! But I auditioned for the 2007 production of The Lion the Witch and the Wardrobe and the unfortunate headshot they took that night still exists.
Are there any women in the theatrical industry from whom you draw inspiration? Feel free to elaborate on their impact in your life.
For as long as I can remember I have always admired Audrey Hepburn. My first and favorite Audrey Hepburn movie was Sabrina, and I was instantly obsessed with her grace and beauty on and off screen. As I have gotten older, I have come to admire her most for the choice to retire from acting and dedicate her life to her family and philanthropic efforts.
What initially drew you to theater?
All of my earliest and my fondest memories of theater are rooted by my mom. I grew up going to my grandparent’s house and watching her high school production of Peter Pan on VHS, a very special trip to see Beauty and the Beast that started with a very unfortunate bout of car sickness and ruined dress, my only theater camp experience and a life changing production of Thoroughly Modern Millie, and an emotionally cathartic production of Beautiful. All of these moments of theater changed me, and my mom was there for all of them. Fun Fact: My mom played Tiger Lily her senior year and I played Peter Pan my senior year.
What has been one of your favorite theatrical experiences and why?
Guys & Dolls at Town and Country in 2022 Directed by the late Bruce Sheldon Zeff. I was fortunate to play Miss Adelaide and got to pay homage to my Grandmother, a tough cookie who grew up in Brooklyn and really sunk my teeth into this creative endeavor. More importantly, I played opposite the darling Patricia Curley as Sarah Brown. Getting to do iconic roles and make them your own is one thing, but getting to do it with the people who are special in your life is even more extraordinary. Through a series of unfortunate events, I even got to perform with my husband who learned the role of Nathan in three days! Finally, the cast, crew, and creative team were some of the kindest people I have ever met. It really was a fantastic experience.
Do you have any advice for women who want to be in your role in theater?
You can be mad… but you can’t be mean.
Who is your favorite woman character in theater?
There are so many but I am going to be true to the first one who popped into my head. Elle Woods. Being true to yourself never goes out of style!
What would you tell your younger self?
Things always work out the way they should even if it doesn’t make any sense right now. Oh, and take a freaking dance class… it would help.
What would you do if you knew you could not fail?
I think I would pursue “ingénue” roles. I always count myself out of the race when it comes to leading lady roles because I don’t see myself that way. I naturally gravitate towards the supporting comedic roles; I am comfortable being the funny girl. BUT if I couldn’t fail, I’d go out for the leading lady once in a while.
Is there anything else you would like to add about yourself and/or your theatrical journey?
I am very grateful for the opportunity to bring this timeless tale to life and thankful for the cast and crew who have decided to join me on this theatrical journey. I hope to make you all proud!
Middle School
How long have you worked with Town & Country?
Since 2010! But I auditioned for the 2007 production of The Lion the Witch and the Wardrobe and the unfortunate headshot they took that night still exists.
Are there any women in the theatrical industry from whom you draw inspiration? Feel free to elaborate on their impact in your life.
For as long as I can remember I have always admired Audrey Hepburn. My first and favorite Audrey Hepburn movie was Sabrina, and I was instantly obsessed with her grace and beauty on and off screen. As I have gotten older, I have come to admire her most for the choice to retire from acting and dedicate her life to her family and philanthropic efforts.
What initially drew you to theater?
All of my earliest and my fondest memories of theater are rooted by my mom. I grew up going to my grandparent’s house and watching her high school production of Peter Pan on VHS, a very special trip to see Beauty and the Beast that started with a very unfortunate bout of car sickness and ruined dress, my only theater camp experience and a life changing production of Thoroughly Modern Millie, and an emotionally cathartic production of Beautiful. All of these moments of theater changed me, and my mom was there for all of them. Fun Fact: My mom played Tiger Lily her senior year and I played Peter Pan my senior year.
What has been one of your favorite theatrical experiences and why?
Guys & Dolls at Town and Country in 2022 Directed by the late Bruce Sheldon Zeff. I was fortunate to play Miss Adelaide and got to pay homage to my Grandmother, a tough cookie who grew up in Brooklyn and really sunk my teeth into this creative endeavor. More importantly, I played opposite the darling Patricia Curley as Sarah Brown. Getting to do iconic roles and make them your own is one thing, but getting to do it with the people who are special in your life is even more extraordinary. Through a series of unfortunate events, I even got to perform with my husband who learned the role of Nathan in three days! Finally, the cast, crew, and creative team were some of the kindest people I have ever met. It really was a fantastic experience.
Do you have any advice for women who want to be in your role in theater?
You can be mad… but you can’t be mean.
Who is your favorite woman character in theater?
There are so many but I am going to be true to the first one who popped into my head. Elle Woods. Being true to yourself never goes out of style!
What would you tell your younger self?
Things always work out the way they should even if it doesn’t make any sense right now. Oh, and take a freaking dance class… it would help.
What would you do if you knew you could not fail?
I think I would pursue “ingénue” roles. I always count myself out of the race when it comes to leading lady roles because I don’t see myself that way. I naturally gravitate towards the supporting comedic roles; I am comfortable being the funny girl. BUT if I couldn’t fail, I’d go out for the leading lady once in a while.
Is there anything else you would like to add about yourself and/or your theatrical journey?
I am very grateful for the opportunity to bring this timeless tale to life and thankful for the cast and crew who have decided to join me on this theatrical journey. I hope to make you all proud!
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Celebrating Annamarie Hughes, the amazing producer behind our production of Cinderella at Town & Country Players!
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What production(s) are you working on and in what role(s)?
Assassins Producer; Cinderella Producer
How long have you done theatre?
I started my love of theater in high school.
How long have you worked with Town & Country?
25 years or so
What initially drew you to theater?
How much fun it is to portray someone other than yourself….and how a sense of family forms during the production.
What has been one of your favorite theatrical experiences and why?
Probably my first on stage production at T&C- HONK! I was able to be on stage with my daughter- and continued to be able to be on stage with both daughters in multiple productions; on the production side- some of my favorite shows I directed were The Lion the Witch and the Wardrobe, It’s a Wonderful Life and A Christmas Story.
Do you have any advice for women who want to be in your role in theater?
This is a great community to learn everything about getting a production to stage.
What would you tell your younger self?
Your dreams are attainable!
Assassins Producer; Cinderella Producer
How long have you done theatre?
I started my love of theater in high school.
How long have you worked with Town & Country?
25 years or so
What initially drew you to theater?
How much fun it is to portray someone other than yourself….and how a sense of family forms during the production.
What has been one of your favorite theatrical experiences and why?
Probably my first on stage production at T&C- HONK! I was able to be on stage with my daughter- and continued to be able to be on stage with both daughters in multiple productions; on the production side- some of my favorite shows I directed were The Lion the Witch and the Wardrobe, It’s a Wonderful Life and A Christmas Story.
Do you have any advice for women who want to be in your role in theater?
This is a great community to learn everything about getting a production to stage.
What would you tell your younger self?
Your dreams are attainable!
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Marley Madding returns to Town and Country Players to Choregraph
our Production of Cinderella. |
How long have you done theatre?
Almost two decades (which feels wild to say!)
How long have you worked with Town & Country?
Since being in Oklahoma! In 2019
Are there any women in the theatrical industry from whom you draw inspiration?
Simply too many to name them all! But a few that come to mind are: Susan Stroman, Rachel Chavkin, Gwen Verdon, Chita Rivera, and Lynn Nottage. The arts world is so full of brilliant women, and it is so cool to finally see so many of them getting the recognition they deserve.
Do you have any advice for women who want to be in your role in theater?
Don’t be afraid to ask for the opportunities that excite you. Bias and inequality in the theater industry are no joke, and it can feel impossible to swim against the stream of the status quo, but never discount yourself or your skill set. Come into the room prepared, fake it till you make it if you have to, and above all be kind— to others and to yourself.
Almost two decades (which feels wild to say!)
How long have you worked with Town & Country?
Since being in Oklahoma! In 2019
Are there any women in the theatrical industry from whom you draw inspiration?
Simply too many to name them all! But a few that come to mind are: Susan Stroman, Rachel Chavkin, Gwen Verdon, Chita Rivera, and Lynn Nottage. The arts world is so full of brilliant women, and it is so cool to finally see so many of them getting the recognition they deserve.
Do you have any advice for women who want to be in your role in theater?
Don’t be afraid to ask for the opportunities that excite you. Bias and inequality in the theater industry are no joke, and it can feel impossible to swim against the stream of the status quo, but never discount yourself or your skill set. Come into the room prepared, fake it till you make it if you have to, and above all be kind— to others and to yourself.
September 2024 - The 39 Steps
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The first weekend of The 39 Steps has come to a close and while we wait for them to come back next weekend, we wanted to take a moment to spotlight their fantastic Producer, Suzanne Ardite! See her interview below, and make sure to check out our website to look back on all of the women who have been featured this year so far!
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What production(s) are you working on and in what role(s)?
The 39 Steps - Producer
How long have you done theatre?
44 years
How long have you worked with Town & Country?
8 years
What initially drew you to theater?
My first theater experience was with a theater group in Philadelphia that put up shows drawing exclusively from the middle school of my Catholic school and the nearby public school. My sisters had participated in the same program years earlier and it was something I wanted to do with my friends.
What has been one of your favorite theatrical experiences and why?
I have been lucky enough to reside in several different states over the years. In that time, I've been connected with quite a few theaters and groups as an actor, director or costume designer. But, the one experience that stands out to me was the 2020 Pennington Players production of "Calendar Girls" at the Kelsey Theater. Directed by Susan Galli, I was cast alongside an ensemble of some of the most extremely talented and accomplished women in our theater community. As an actress, this show demanded a higher level of commitment, dedication and skill than any show I had done in recent memory. There was such a symbiotic cohesiveness and sense of purpose among that cast that I haven't experienced since. It's also a poignant memory because it was the last show before COVID forced our theaters to go dark for over two years.
Do you have any advice for women who want to be in your role in theater?
Maintain your focus on the production and trust your instincts. As a producer, one of your key responsibilities is to make sure your production team and cast have all the tools they need to succeed. As often happens when dealing with a large group of people, differences of opinion and unrealistic expectations can often derail focus from the actual production. Realize that you will have to assess and navigate situations that will not always satisfy everyone in the production. Your focus needs to be on the overall production. If it doesn't serve the production, then it isn't necessary.
What would you tell your younger self?
There is an amazing freedom to be gained when you realize that so much of what you worry and obsess over offers no value to your life. Stop wasting your energy on people and situations that you can't control. Move on.
The 39 Steps - Producer
How long have you done theatre?
44 years
How long have you worked with Town & Country?
8 years
What initially drew you to theater?
My first theater experience was with a theater group in Philadelphia that put up shows drawing exclusively from the middle school of my Catholic school and the nearby public school. My sisters had participated in the same program years earlier and it was something I wanted to do with my friends.
What has been one of your favorite theatrical experiences and why?
I have been lucky enough to reside in several different states over the years. In that time, I've been connected with quite a few theaters and groups as an actor, director or costume designer. But, the one experience that stands out to me was the 2020 Pennington Players production of "Calendar Girls" at the Kelsey Theater. Directed by Susan Galli, I was cast alongside an ensemble of some of the most extremely talented and accomplished women in our theater community. As an actress, this show demanded a higher level of commitment, dedication and skill than any show I had done in recent memory. There was such a symbiotic cohesiveness and sense of purpose among that cast that I haven't experienced since. It's also a poignant memory because it was the last show before COVID forced our theaters to go dark for over two years.
Do you have any advice for women who want to be in your role in theater?
Maintain your focus on the production and trust your instincts. As a producer, one of your key responsibilities is to make sure your production team and cast have all the tools they need to succeed. As often happens when dealing with a large group of people, differences of opinion and unrealistic expectations can often derail focus from the actual production. Realize that you will have to assess and navigate situations that will not always satisfy everyone in the production. Your focus needs to be on the overall production. If it doesn't serve the production, then it isn't necessary.
What would you tell your younger self?
There is an amazing freedom to be gained when you realize that so much of what you worry and obsess over offers no value to your life. Stop wasting your energy on people and situations that you can't control. Move on.
August 2024 - A Mid Summer Night's Dream
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Meet Sarah LeClair! A longtime T&C member, she has done it all! This year, she’s lending her magic to our Shakespeare Festival and production of A Midsummer Night’s Dream as the Producer and Improv Coach!
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What production(s) are you working on and in what role(s)?
A Midsummer Night's Dream / Shakespeare Festival. Producer / Improv Coach
How long have you done theatre?
Since 1986! At T&C, since 1998…
How long have you worked with Town & Country?
Oops! My first show was a Shakespearean comedy; too! "Much Ado About Nothing" in 1998.
Do you have any advice for women who want to be in your role in theater?
Do the things! Don't worry about your training or education or pedigree - sign up, do the work, and learn from everyone in your sphere.
What would you do if you knew you could not fail?
Honestly - you CAN'T fail. The only way you're a failure is if you let other people dictate your terms for you - and that includes your creative process, your work ethic, and your ultimate feelings about the end results.
A Midsummer Night's Dream / Shakespeare Festival. Producer / Improv Coach
How long have you done theatre?
Since 1986! At T&C, since 1998…
How long have you worked with Town & Country?
Oops! My first show was a Shakespearean comedy; too! "Much Ado About Nothing" in 1998.
Do you have any advice for women who want to be in your role in theater?
Do the things! Don't worry about your training or education or pedigree - sign up, do the work, and learn from everyone in your sphere.
What would you do if you knew you could not fail?
Honestly - you CAN'T fail. The only way you're a failure is if you let other people dictate your terms for you - and that includes your creative process, your work ethic, and your ultimate feelings about the end results.
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Up next on the T&C stage is A Midsummer Night's Dream, directed by Janemarie Cloutier!
As part of our Year of Women in Production, check out her profile below! And be sure to get your tickets for the show, it opens Friday, August 23rd! |
What production(s) are you working on and in what role(s)?
Shakespeare Weekend: A Midsummer Night’s Dream (Director)
How long have you done theatre?
I wrote, directed, and narrated a play about Cleopatra in 6th grade Social Studies but, for real, since 1982.
How long have you worked with Town & Country?
Starting in 1982 with a decades long intermission and a return in 2021.
Are there any women in the theatrical industry from whom you draw inspiration? Feel free to elaborate on their impact in your life.
I had the great experience of working with some of the legacy ladies of T and C when I was a “kid” in my twenties: Marion Kolman, Jean Gendall, Jo Page. I also was mentored and befriended by women who shared their insight and supported my education: Pat Achilles, Janet Kelly, Diane Mir, Robin Eisenberg, Peggie Walsh. All of these women taught me about the mechanics of theater but also showed me what it means to be honest, respectful, creative, nurturing, and kind.
Professionally, I admire Linda Ronstadt: pop songs, rock and roll, Big Band, and Broadway operetta…all amazing, Julie Taymor: not afraid of being original with Disney and Shakespeare, and the Dames: Judi Dench, Emma Thompson, Maggie Smith, Julie Andrews (and more!).
What initially drew you to theater?
I did not participate in theater in school because I was afraid it would take too much time and my grades would suffer…eventually, as a young adult, I saw an ad in the the newspaper that said, “Town and Country Players seeks volunteers to help backstage with their production of The Taming of the Shrew” and a light bulb went on. I had always enjoyed building worlds, whether by reading, playing Barbies, or pretending with my best friend in the backyard.
What has been one of your favorite theatrical experiences and why?
My parents always pitched in to help with shows: my Mom made costumes and my Dad helped with the set and photos. They loved it and all of the people we met…who loved my parents in return. When I directed Barnum at T and C, that company became really close. We had a cast party at my parents’ house and then an annual holiday caroling party.
A couple of years later, my Dad was in the hospital at Christmastime, recovering from a stroke. The cast members of Barnum came to sing carols for him.
Good experiences in theater are about so much more than what happens on stage. Respect, empathy, and support make lasting joy.
Do you have any advice for women who want to be in your role in theater?
I learned about directing from stage managing with every different director I could work with. I kept my opinions to myself (unless asked) and I watched and supported the director as best I could. I learned about time management, stage movement, working with prickly egos, and the importance of treating people with respect and empathy.
When I was younger than some of my cast and crew members, it was sometimes hard to be taken seriously; the same seems to be true now that I am older than some folks!
Who is your favorite woman character in theater?
Top 3
Lady Bracknell from The Importance of Being Earnest —brilliantly played for me by Jo Page in 1989.
I’ve wanted to play Fantine in Les Mis since I first saw it in 1987 but they STILL haven’t released it for community theater!
All of the ladies in A Midsummer Night’s Dream!
What would you tell your younger self?
You really don’t have to put up with miserable people.
What would you do if you knew you could not fail?
Honestly, I don’t think like that. I look for opportunities to work with people who are passionate and supportive of what I am dreaming of and then we find ways to collaborate for success beyond my initial dreams. That is why I am so excited to partner with Sarah LeClair for our Shakespeare Weekend. Sarah is brilliant, creative, clever, and a pleasure to be around. She will have so many ideas and insights that will make this project stunning.
Is there anything else you would like to add about yourself and/or your theatrical journey?
Looking forward to hanging around with good people doing something creative this summer!
Shakespeare Weekend: A Midsummer Night’s Dream (Director)
How long have you done theatre?
I wrote, directed, and narrated a play about Cleopatra in 6th grade Social Studies but, for real, since 1982.
How long have you worked with Town & Country?
Starting in 1982 with a decades long intermission and a return in 2021.
Are there any women in the theatrical industry from whom you draw inspiration? Feel free to elaborate on their impact in your life.
I had the great experience of working with some of the legacy ladies of T and C when I was a “kid” in my twenties: Marion Kolman, Jean Gendall, Jo Page. I also was mentored and befriended by women who shared their insight and supported my education: Pat Achilles, Janet Kelly, Diane Mir, Robin Eisenberg, Peggie Walsh. All of these women taught me about the mechanics of theater but also showed me what it means to be honest, respectful, creative, nurturing, and kind.
Professionally, I admire Linda Ronstadt: pop songs, rock and roll, Big Band, and Broadway operetta…all amazing, Julie Taymor: not afraid of being original with Disney and Shakespeare, and the Dames: Judi Dench, Emma Thompson, Maggie Smith, Julie Andrews (and more!).
What initially drew you to theater?
I did not participate in theater in school because I was afraid it would take too much time and my grades would suffer…eventually, as a young adult, I saw an ad in the the newspaper that said, “Town and Country Players seeks volunteers to help backstage with their production of The Taming of the Shrew” and a light bulb went on. I had always enjoyed building worlds, whether by reading, playing Barbies, or pretending with my best friend in the backyard.
What has been one of your favorite theatrical experiences and why?
My parents always pitched in to help with shows: my Mom made costumes and my Dad helped with the set and photos. They loved it and all of the people we met…who loved my parents in return. When I directed Barnum at T and C, that company became really close. We had a cast party at my parents’ house and then an annual holiday caroling party.
A couple of years later, my Dad was in the hospital at Christmastime, recovering from a stroke. The cast members of Barnum came to sing carols for him.
Good experiences in theater are about so much more than what happens on stage. Respect, empathy, and support make lasting joy.
Do you have any advice for women who want to be in your role in theater?
I learned about directing from stage managing with every different director I could work with. I kept my opinions to myself (unless asked) and I watched and supported the director as best I could. I learned about time management, stage movement, working with prickly egos, and the importance of treating people with respect and empathy.
When I was younger than some of my cast and crew members, it was sometimes hard to be taken seriously; the same seems to be true now that I am older than some folks!
Who is your favorite woman character in theater?
Top 3
Lady Bracknell from The Importance of Being Earnest —brilliantly played for me by Jo Page in 1989.
I’ve wanted to play Fantine in Les Mis since I first saw it in 1987 but they STILL haven’t released it for community theater!
All of the ladies in A Midsummer Night’s Dream!
What would you tell your younger self?
You really don’t have to put up with miserable people.
What would you do if you knew you could not fail?
Honestly, I don’t think like that. I look for opportunities to work with people who are passionate and supportive of what I am dreaming of and then we find ways to collaborate for success beyond my initial dreams. That is why I am so excited to partner with Sarah LeClair for our Shakespeare Weekend. Sarah is brilliant, creative, clever, and a pleasure to be around. She will have so many ideas and insights that will make this project stunning.
Is there anything else you would like to add about yourself and/or your theatrical journey?
Looking forward to hanging around with good people doing something creative this summer!
July 2024 - Assassins
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Celebrating Annamarie Hughes, the amazing producer behind our production of Assassins at Town & Country Players!
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What production(s) are you working on and in what role(s)?
Assassins Producer; Cinderella Producer
How long have you done theatre?
I started my love of theater in high school.
How long have you worked with Town & Country?
25 years or so
What initially drew you to theater?
How much fun it is to portray someone other than yourself….and how a sense of family forms during the production.
What has been one of your favorite theatrical experiences and why?
Probably my first on stage production at T&C- HONK! I was able to be on stage with my daughter- and continued to be able to be on stage with both daughters in multiple productions; on the production side- some of my favorite shows I directed were The Lion the Witch and the Wardrobe, It’s a Wonderful Life and A Christmas Story.
Do you have any advice for women who want to be in your role in theater?
This is a great community to learn everything about getting a production to stage.
What would you tell your younger self?
Your dreams are attainable!
Assassins Producer; Cinderella Producer
How long have you done theatre?
I started my love of theater in high school.
How long have you worked with Town & Country?
25 years or so
What initially drew you to theater?
How much fun it is to portray someone other than yourself….and how a sense of family forms during the production.
What has been one of your favorite theatrical experiences and why?
Probably my first on stage production at T&C- HONK! I was able to be on stage with my daughter- and continued to be able to be on stage with both daughters in multiple productions; on the production side- some of my favorite shows I directed were The Lion the Witch and the Wardrobe, It’s a Wonderful Life and A Christmas Story.
Do you have any advice for women who want to be in your role in theater?
This is a great community to learn everything about getting a production to stage.
What would you tell your younger self?
Your dreams are attainable!
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It's time for another spotlight on one of the amazing Women in Production that we are celebrating this season! Nancy Ridgeway is one of our directors and the director of the currently running production of Assassins the Musical! Check out her interview below.
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What production(s) are you working on and in what role(s)?
Assassins the Musical, Director
How long have you done theatre?
It seems as though I have been surrounded by the theater my entire life. I have always loved being a part of a production of some sort from singing in a choir to acting in plays all throughout my school years.
How long have you worked with Town & Country?
22 years
Are there any women in the theatrical industry from whom you draw inspiration?
I draw inspiration from the stories that I am drawn to and the desire to tell those stories in a theatrical setting. Playwrights and composers are my inspiration.
What initially drew you to theater?
My parents. My Dad is a founding member of T&C and he and my mother loved theater, especially musical theater. Mom was an avid tap dancer until she was in her 90's. Music was always playing in our house. But, my dad was a incredible storyteller and that drew me in to my love of theater. I have always been drawn to a great story.
What has been one of your favorite theatrical experiences and why?
There have been many but Sweeney Todd stands out as a truly special experience and one in which I am super proud to have directed.
Do you have any advice for women who want to be in your role in theater?
Directing is a huge responsibility for all the obvious reasons. Surround yourself with capable, confident people that you trust and delegate to those trusted advisors and concentrate on directing.
Who is your favorite woman character in theater?
Diana from Next to Normal. Faced with a bipolar disorder and PTSD, she faced her demons and was strong and determined to have a normal life.
What would you tell your younger self?
Be confident. Don't shy away from not knowing all the answers. Go for it.
What would you do if you knew you could not fail?
If I knew I could not fail, I would build/create a theater for large and small audiences to present new and original works, present workshops for young aspiring playwrights, actors and design teams.
Is there anything else you would like to add about yourself and/or your theatrical journey?
In the years that I have been involved in community theater, I am often asked why, why do you put so much time and effort into something you are not getting paid to do. My answer is always the same. The creative drive that lives in those of us who participate in theater whether on the stage or behind the scenes is powerful. That's why community theater is alive and well. The need to be creative far exceeds the need to be compensated. Taking a story from the page and bringing it to life on stage is as awarding as it gets. That is life's fulfillment.
Assassins the Musical, Director
How long have you done theatre?
It seems as though I have been surrounded by the theater my entire life. I have always loved being a part of a production of some sort from singing in a choir to acting in plays all throughout my school years.
How long have you worked with Town & Country?
22 years
Are there any women in the theatrical industry from whom you draw inspiration?
I draw inspiration from the stories that I am drawn to and the desire to tell those stories in a theatrical setting. Playwrights and composers are my inspiration.
What initially drew you to theater?
My parents. My Dad is a founding member of T&C and he and my mother loved theater, especially musical theater. Mom was an avid tap dancer until she was in her 90's. Music was always playing in our house. But, my dad was a incredible storyteller and that drew me in to my love of theater. I have always been drawn to a great story.
What has been one of your favorite theatrical experiences and why?
There have been many but Sweeney Todd stands out as a truly special experience and one in which I am super proud to have directed.
Do you have any advice for women who want to be in your role in theater?
Directing is a huge responsibility for all the obvious reasons. Surround yourself with capable, confident people that you trust and delegate to those trusted advisors and concentrate on directing.
Who is your favorite woman character in theater?
Diana from Next to Normal. Faced with a bipolar disorder and PTSD, she faced her demons and was strong and determined to have a normal life.
What would you tell your younger self?
Be confident. Don't shy away from not knowing all the answers. Go for it.
What would you do if you knew you could not fail?
If I knew I could not fail, I would build/create a theater for large and small audiences to present new and original works, present workshops for young aspiring playwrights, actors and design teams.
Is there anything else you would like to add about yourself and/or your theatrical journey?
In the years that I have been involved in community theater, I am often asked why, why do you put so much time and effort into something you are not getting paid to do. My answer is always the same. The creative drive that lives in those of us who participate in theater whether on the stage or behind the scenes is powerful. That's why community theater is alive and well. The need to be creative far exceeds the need to be compensated. Taking a story from the page and bringing it to life on stage is as awarding as it gets. That is life's fulfillment.
May / June 2024 - She Kills Monsters
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Let's give a round of applause to the incredible Dana Carducci, the mastermind choreographer behind the dance sequences in our production of She Kills Monsters at Town & Country Players! Dana's creativity and passion are bringing so much fun and artistry to the show!
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What production(s) are you working on and in what role(s)?
Choreographer for She Kills Monsters
How long have you done theatre?
23 years
How long have you worked with Town & Country?
14 years
Are there any women in the theatrical industry from whom you draw inspiration?
Annaleigh Ashford, Laura Benanti, Sutton Foster
What initially drew you to theater?
I grew up in a ballet studio so I performed in ballets but when I saw my first Broadway musical Beauty and the Beast I remember being in awe that you could act, sing and dance in one show. I performed in my first musical in 5th grade and ever since then I've been hooked.
What has been one of your favorite theatrical experiences and why?
During the run of the Sound of Music I was asked to go on as Maria Rainer for a weekend with 24 hours notice and I learned and performed the role in less than a day. The amount of support and love that I received from the cast, crew, family and friends was remarkable and reminded me how special it is to be a part of community theater.
Do you have any advice for women who want to be in your role in theater?
Don't be afraid of choreographing on the T&C stage! Collaborate with the directors and cast to see what they are comfortable with and build the best choreography together as a team. The best shows are built with collaboration from the production staff and cast.
Who is your favorite woman character in theater?
Belle in Beauty and the Beast
What would you tell your younger self?
Love the gift that you are in this world, and give of yourself what you can to others without compromising or changing yourself for others. Don’t be hard on yourself and always remember your value.
What would you do if you knew you could not fail?
Perform in Broadway Musicals
Choreographer for She Kills Monsters
How long have you done theatre?
23 years
How long have you worked with Town & Country?
14 years
Are there any women in the theatrical industry from whom you draw inspiration?
Annaleigh Ashford, Laura Benanti, Sutton Foster
What initially drew you to theater?
I grew up in a ballet studio so I performed in ballets but when I saw my first Broadway musical Beauty and the Beast I remember being in awe that you could act, sing and dance in one show. I performed in my first musical in 5th grade and ever since then I've been hooked.
What has been one of your favorite theatrical experiences and why?
During the run of the Sound of Music I was asked to go on as Maria Rainer for a weekend with 24 hours notice and I learned and performed the role in less than a day. The amount of support and love that I received from the cast, crew, family and friends was remarkable and reminded me how special it is to be a part of community theater.
Do you have any advice for women who want to be in your role in theater?
Don't be afraid of choreographing on the T&C stage! Collaborate with the directors and cast to see what they are comfortable with and build the best choreography together as a team. The best shows are built with collaboration from the production staff and cast.
Who is your favorite woman character in theater?
Belle in Beauty and the Beast
What would you tell your younger self?
Love the gift that you are in this world, and give of yourself what you can to others without compromising or changing yourself for others. Don’t be hard on yourself and always remember your value.
What would you do if you knew you could not fail?
Perform in Broadway Musicals
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Celebrating the amazing Jenny McNiven, the powerhouse producer behind our production of She Kills Monsters at Town & Country Players! Jenny's dedication and creativity are bringing this captivating story to life on stage.
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What production(s) are you working on and in what role(s)?
Producer for She Kills Monsters
How long have you done theatre?
Since I was about 12 (30 years!)
How long have you worked with Town & Country?
Since 2018
Are there any women in the theatrical industry from whom you draw inspiration? Feel free to elaborate on their impact in your life.
My mother was an actor and a dancer in her twenties, and she introduced me to theatre. We watched movie musicals together all throughout my childhood and teen years. She told me her stories, gave me all of her old school books and plays, and she told me about the incredible woman who inspired her - Isadora Duncan - the pioneer of modern dance. I read her autobiography and learned all I could about this fascinating trailblazer and her impact on modern dance and performance. She was the first woman I ever wanted to be. It wasn't just her art but her life that inspired me. It still does. I admire many women in theatre these days, too many to name. But it started with my mom and Isadora.
What initially drew you to theater?
Movie musicals were my gateway - I remember being obsessed with The Sound of Music, Guys & Dolls, Peter Pan, Pirates of Penzance, Hello Dolly, and Brigadoon as a kid. I watched anything I could find, but I especially loved the golden era musicals. I just wanted to be a part of something like that. To dance or sing with an ensemble in a moment of complete harmony with each other. To inhabit someone else's life in its most epic moments, to wear beautiful costumes, to fall in love, to discover my place in the world, to go on an adventure. It was all possible through theatre. Once I started going to see plays and musicals I felt even more connected to this particular form of storytelling. As I developed into a fully formed human I realized that I love stories, I love history, and I love learning about our humanity and the complexities of human emotion and connection. That is what we do in the theatre and why I personally feel compelled to be on or behind the stage.
What has been one of your favorite theatrical experiences and why?
When I moved to Pennsylvania in early 2018 I didn't know anyone, but I knew I would meet my people as soon as I started doing theatre here. Luckily, the first show I had the good fortune to be cast in was at Town & Country Players. I joined the cast of The Hunchback of Notre Dame and met the people who would become my best friends, my community, and my family. I had never loved a cast so much. To call that show magical is not even the right word. It was rare, it was joyous, it taught me a lot about myself, and it brought a light and depth and meaning into my life that I feel incredibly grateful for. I hope everyone in the theatre world finds their Hunchback one day.
Do you have any advice for women who want to be in your role in theater?
Keep doing it. There were times in my life when I couldn't, for whatever reason, really do theatre for a period. Location can be hard, life can be busy, priorities can shift. But to foster a decades long life in theatre you have to keep coming back. It may feel like your time has passed (it hasn't). It may feel like you don't have much to offer anymore (you do). You may feel alone in your passion for whatever kind of art speaks to your soul (you aren't). You can find your people no matter what age you are, how much experience you have, how long you've been away, or whatever you've got going on in life. The theatre will always be there to welcome you back, or for the first time. Just keep doing it. You will meet people who are like you, you will grow in talent and experience, you will find expanse in the opportunities that unfold before you. But none of that will ever happen if you don't show up.
Who is your favorite woman character in theater?
This one is so hard. The one I've loved the longest is probably Viola from Twelfth Night so to make it easy I'll go with her (slash him since she spends most of the play pretending to be a man).
What would you tell your younger self?
Stop studying with opera singers who want to mold your voice into theirs. Your own voice is unique and beautiful, find the person who will work with you to develop your voice and no one else's. Also remember that there is no shame whatsoever in just doing theatre because you love it. There doesn't have to be an end goal.
What would you do if you knew you could not fail?
Probably audition for a lot more dance shows. I love acting and singing, but I can often sell myself short in dance because I don't have tons of formal training. Yet, when I do dance shows I always have such a fun time and ultimately I improve and get more confident every time I actually lean into it. So more of that, please.
Is there anything else you would like to add about yourself and/or your theatrical journey?
Before I walk on stage for a show, I tell myself "Remember this," because I know that no show can go on forever, they all come to an end at some point. It is because of this that I continue to be endlessly grateful for the opportunities that I receive to be a part of the theatre community, and that I will never take it for granted that I get go do this. Every show ends, but life in the theatre doesn't have to. Thank you to all of my beloved theatre people, I hope to see you on stage soon. Also please come see She Kills Monsters, it's truly such a special show and I cannot wait for everyone to see it!
Producer for She Kills Monsters
How long have you done theatre?
Since I was about 12 (30 years!)
How long have you worked with Town & Country?
Since 2018
Are there any women in the theatrical industry from whom you draw inspiration? Feel free to elaborate on their impact in your life.
My mother was an actor and a dancer in her twenties, and she introduced me to theatre. We watched movie musicals together all throughout my childhood and teen years. She told me her stories, gave me all of her old school books and plays, and she told me about the incredible woman who inspired her - Isadora Duncan - the pioneer of modern dance. I read her autobiography and learned all I could about this fascinating trailblazer and her impact on modern dance and performance. She was the first woman I ever wanted to be. It wasn't just her art but her life that inspired me. It still does. I admire many women in theatre these days, too many to name. But it started with my mom and Isadora.
What initially drew you to theater?
Movie musicals were my gateway - I remember being obsessed with The Sound of Music, Guys & Dolls, Peter Pan, Pirates of Penzance, Hello Dolly, and Brigadoon as a kid. I watched anything I could find, but I especially loved the golden era musicals. I just wanted to be a part of something like that. To dance or sing with an ensemble in a moment of complete harmony with each other. To inhabit someone else's life in its most epic moments, to wear beautiful costumes, to fall in love, to discover my place in the world, to go on an adventure. It was all possible through theatre. Once I started going to see plays and musicals I felt even more connected to this particular form of storytelling. As I developed into a fully formed human I realized that I love stories, I love history, and I love learning about our humanity and the complexities of human emotion and connection. That is what we do in the theatre and why I personally feel compelled to be on or behind the stage.
What has been one of your favorite theatrical experiences and why?
When I moved to Pennsylvania in early 2018 I didn't know anyone, but I knew I would meet my people as soon as I started doing theatre here. Luckily, the first show I had the good fortune to be cast in was at Town & Country Players. I joined the cast of The Hunchback of Notre Dame and met the people who would become my best friends, my community, and my family. I had never loved a cast so much. To call that show magical is not even the right word. It was rare, it was joyous, it taught me a lot about myself, and it brought a light and depth and meaning into my life that I feel incredibly grateful for. I hope everyone in the theatre world finds their Hunchback one day.
Do you have any advice for women who want to be in your role in theater?
Keep doing it. There were times in my life when I couldn't, for whatever reason, really do theatre for a period. Location can be hard, life can be busy, priorities can shift. But to foster a decades long life in theatre you have to keep coming back. It may feel like your time has passed (it hasn't). It may feel like you don't have much to offer anymore (you do). You may feel alone in your passion for whatever kind of art speaks to your soul (you aren't). You can find your people no matter what age you are, how much experience you have, how long you've been away, or whatever you've got going on in life. The theatre will always be there to welcome you back, or for the first time. Just keep doing it. You will meet people who are like you, you will grow in talent and experience, you will find expanse in the opportunities that unfold before you. But none of that will ever happen if you don't show up.
Who is your favorite woman character in theater?
This one is so hard. The one I've loved the longest is probably Viola from Twelfth Night so to make it easy I'll go with her (slash him since she spends most of the play pretending to be a man).
What would you tell your younger self?
Stop studying with opera singers who want to mold your voice into theirs. Your own voice is unique and beautiful, find the person who will work with you to develop your voice and no one else's. Also remember that there is no shame whatsoever in just doing theatre because you love it. There doesn't have to be an end goal.
What would you do if you knew you could not fail?
Probably audition for a lot more dance shows. I love acting and singing, but I can often sell myself short in dance because I don't have tons of formal training. Yet, when I do dance shows I always have such a fun time and ultimately I improve and get more confident every time I actually lean into it. So more of that, please.
Is there anything else you would like to add about yourself and/or your theatrical journey?
Before I walk on stage for a show, I tell myself "Remember this," because I know that no show can go on forever, they all come to an end at some point. It is because of this that I continue to be endlessly grateful for the opportunities that I receive to be a part of the theatre community, and that I will never take it for granted that I get go do this. Every show ends, but life in the theatre doesn't have to. Thank you to all of my beloved theatre people, I hope to see you on stage soon. Also please come see She Kills Monsters, it's truly such a special show and I cannot wait for everyone to see it!
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Honoring the talented Kim O'Byrne as part of Town & Country Player's "Year of Women in Production"! Kim is the creative force behind the props for our upcoming play She Kills Monsters. Props are like the unsung heroes of theater, adding depth and authenticity to every scene.
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What production(s) are you working on and in what role(s)?
She Kills Monsters - Props
How long have you done theatre?
Helping back stage since about 8 years old and performing since I was about 10.
How long have you worked with Town & Country?
Since 2010
Are there any women in the theatrical industry from whom you draw inspiration? Feel free to elaborate on their impact in your life.
Too many to mention
What initially drew you to theater?
Attending my parents' rehearsals
What has been one of your favorite theatrical experiences and why?
Performing at the Academy of Music Philadelphia - the view of the audience from that stage - just wow!
Who is your favorite woman character in theater?
Anita - West Side Story
What would you tell your younger self?
Don't be afraid to try something different, you might surprise yourself.
She Kills Monsters - Props
How long have you done theatre?
Helping back stage since about 8 years old and performing since I was about 10.
How long have you worked with Town & Country?
Since 2010
Are there any women in the theatrical industry from whom you draw inspiration? Feel free to elaborate on their impact in your life.
Too many to mention
What initially drew you to theater?
Attending my parents' rehearsals
What has been one of your favorite theatrical experiences and why?
Performing at the Academy of Music Philadelphia - the view of the audience from that stage - just wow!
Who is your favorite woman character in theater?
Anita - West Side Story
What would you tell your younger self?
Don't be afraid to try something different, you might surprise yourself.
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Shining a spotlight on the phenomenal Tobi Reinhard, the talented Stage Manager orchestrating our production of She Kills Monsters at Town & Country Players! Tobi's precision and expertise are the glue holding our show together behind the scenes.
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What production(s) are you working on and in what role(s)?
Stage Manager for both She Kills Monsters and The 39 Steps
How long have you done theatre?
Since middle school, but I took a 20-year hiatus after college before doing my first community theater production (Hunchback here at T&C in 2018).
How long have you worked with Town & Country?
Since 2018
What initially drew you to theater?
I love to sing so doing the school musicals seemed like the next logical step when I was in middle school. Once I found theater, that was it. I was hooked. The friendships I have made because of theater have been the greatest of my life.
What has been one of your favorite theatrical experiences and why?
I have yet to have an experience like the one I had working on Hunchback in 2018. I found a friend group and chosen family like no other because of that show.
Do you have any advice for women who want to be in your role in theater?
Stage management is not for the faint of heart! You've gotta be the right combination of stern and empathetic with a healthy dose of patience in addition to being a highly organized bit of a control freak who also knows when to let go. You need to have a strong personality, be unafraid to say no when it matters, and possess extraordinary cat-herding abilities! But above all, you've gotta know that this stuff is supposed to be fun. The rehearsal process can be stressful, so knowing when your cast and production team need to be silly, and giving them that freedom while still being able to reign them in and refocus to get the work done goes a long way towards ensuring it's a fun experience for everyone.
Who is your favorite woman character in theater?
Entirely too many to choose from, but all of my favorites have a very strong sense of who they are.
What would you do if you knew you could not fail?
I would ABSOLUTELY be doing 8 shows a week on Broadway.
Stage Manager for both She Kills Monsters and The 39 Steps
How long have you done theatre?
Since middle school, but I took a 20-year hiatus after college before doing my first community theater production (Hunchback here at T&C in 2018).
How long have you worked with Town & Country?
Since 2018
What initially drew you to theater?
I love to sing so doing the school musicals seemed like the next logical step when I was in middle school. Once I found theater, that was it. I was hooked. The friendships I have made because of theater have been the greatest of my life.
What has been one of your favorite theatrical experiences and why?
I have yet to have an experience like the one I had working on Hunchback in 2018. I found a friend group and chosen family like no other because of that show.
Do you have any advice for women who want to be in your role in theater?
Stage management is not for the faint of heart! You've gotta be the right combination of stern and empathetic with a healthy dose of patience in addition to being a highly organized bit of a control freak who also knows when to let go. You need to have a strong personality, be unafraid to say no when it matters, and possess extraordinary cat-herding abilities! But above all, you've gotta know that this stuff is supposed to be fun. The rehearsal process can be stressful, so knowing when your cast and production team need to be silly, and giving them that freedom while still being able to reign them in and refocus to get the work done goes a long way towards ensuring it's a fun experience for everyone.
Who is your favorite woman character in theater?
Entirely too many to choose from, but all of my favorites have a very strong sense of who they are.
What would you do if you knew you could not fail?
I would ABSOLUTELY be doing 8 shows a week on Broadway.
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Meet the Director of She Kills Monsters, Julie Massa!
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What production(s) are you working on and in what role(s)?
She Kills Monsters - Director
How long have you done theatre?
As far back as I can remember! I started out being in choirs and doing skits for church and then moved into doing the plays and musicals in school! I took a break for a few years after college before rejoining the world of community theatre!
How long have you worked with Town & Country?
Since 2018! My first show was Bonnie & Clyde the Musical, directed by Susan Galli who is also directing a show this upcoming season!
What initially drew you to theater?
I always enjoyed performing and being able to tell a story to people by acting it out or by singing a song. I loved playing pretend and the idea of getting to wear fun costumes and sometimes talk in a "silly" voice. And as I got older it became more about creating stories that people needed or wanted to hear and being able to create transformative experiences. I love going to a show and being transported to that world for a few hours and I always wanted to be able to do that for others.
What has been one of your favorite theatrical experiences and why?
I would have to say my University production of Peter Pan. At my school when you were a senior in the theatre program you participated in something called "Act 3" where as a senior class you form your own theatrical company. You elect a company manager, you elect your marketing managers, designers, etc and you produce a children's show. It's a great way to experience the business side of actually mounting an entire production. My classmates and I wanted to do Peter Pan and several classes had pitched it in years prior but had never gotten approval. Through hard work, lots of persuasion, and early design concepts put together by my classmates, we were able to convince the faculty to let us stage it! Peter Pan is one of my absolute favorite stories and I was so excited to stage it with by friends!
While I had hoped to perform in the show, we were lacking a stage manager. I had interned for a ballet company as a stage manager so I ended up volunteering for the job. Through that, I ended up finding a love for stage managing and had a great time creating the show with all of my friends and classmates, and it's still an experience that I reflect on regularly.
Do you have any advice for women who want to be in your role in theater?
Study all aspects of theatre! To be a director, you not only need to have experience with being onstage, but also backstage! I would recommend to anyone to stage manage a production before directing, as you learn so much about what goes into making a show run. The artistic aspect of directing is, of course, incredibly important and I would encourage anyone to dip their toes into the water of reading scripts and imagining/practicing how you might stage a show or block a particular scene. But what can make a well-rounded director is one who also has a good understanding of the technical/backstage aspects of a show! You can know what is realistic to ask of your crew, what responsibilities lie with you versus with a stage manager or producer, and have a good appreciation for all of the people who make your show run, but who don't get to take a bow on stage.
Who is your favorite woman character in theater?
I can never resist the opportunity to see a production of Little Women. I love all of the March family members for the specific qualities that they bring to their families. Meg with her family values and her unwavering support, Jo with her determination and fierce independence, Beth with her patience, kindness, and understanding, and Amy with her resilience and sureness of herself.
What would you tell your younger self?
It's ok to take a break but maybe don't stay away for too long!
Is there anything else you would like to add about yourself and/or your theatrical journey?
I love creating theatre. I love every aspect of it and one thing that I pride myself on, is that you can't really experience theatre exclusively by being onstage. I think that everyone should take the time to help out backstage as often as they can. It's a great way to meet people, learn a new skill, and gain an appreciation for an area that you might not have experienced before.
She Kills Monsters - Director
How long have you done theatre?
As far back as I can remember! I started out being in choirs and doing skits for church and then moved into doing the plays and musicals in school! I took a break for a few years after college before rejoining the world of community theatre!
How long have you worked with Town & Country?
Since 2018! My first show was Bonnie & Clyde the Musical, directed by Susan Galli who is also directing a show this upcoming season!
What initially drew you to theater?
I always enjoyed performing and being able to tell a story to people by acting it out or by singing a song. I loved playing pretend and the idea of getting to wear fun costumes and sometimes talk in a "silly" voice. And as I got older it became more about creating stories that people needed or wanted to hear and being able to create transformative experiences. I love going to a show and being transported to that world for a few hours and I always wanted to be able to do that for others.
What has been one of your favorite theatrical experiences and why?
I would have to say my University production of Peter Pan. At my school when you were a senior in the theatre program you participated in something called "Act 3" where as a senior class you form your own theatrical company. You elect a company manager, you elect your marketing managers, designers, etc and you produce a children's show. It's a great way to experience the business side of actually mounting an entire production. My classmates and I wanted to do Peter Pan and several classes had pitched it in years prior but had never gotten approval. Through hard work, lots of persuasion, and early design concepts put together by my classmates, we were able to convince the faculty to let us stage it! Peter Pan is one of my absolute favorite stories and I was so excited to stage it with by friends!
While I had hoped to perform in the show, we were lacking a stage manager. I had interned for a ballet company as a stage manager so I ended up volunteering for the job. Through that, I ended up finding a love for stage managing and had a great time creating the show with all of my friends and classmates, and it's still an experience that I reflect on regularly.
Do you have any advice for women who want to be in your role in theater?
Study all aspects of theatre! To be a director, you not only need to have experience with being onstage, but also backstage! I would recommend to anyone to stage manage a production before directing, as you learn so much about what goes into making a show run. The artistic aspect of directing is, of course, incredibly important and I would encourage anyone to dip their toes into the water of reading scripts and imagining/practicing how you might stage a show or block a particular scene. But what can make a well-rounded director is one who also has a good understanding of the technical/backstage aspects of a show! You can know what is realistic to ask of your crew, what responsibilities lie with you versus with a stage manager or producer, and have a good appreciation for all of the people who make your show run, but who don't get to take a bow on stage.
Who is your favorite woman character in theater?
I can never resist the opportunity to see a production of Little Women. I love all of the March family members for the specific qualities that they bring to their families. Meg with her family values and her unwavering support, Jo with her determination and fierce independence, Beth with her patience, kindness, and understanding, and Amy with her resilience and sureness of herself.
What would you tell your younger self?
It's ok to take a break but maybe don't stay away for too long!
Is there anything else you would like to add about yourself and/or your theatrical journey?
I love creating theatre. I love every aspect of it and one thing that I pride myself on, is that you can't really experience theatre exclusively by being onstage. I think that everyone should take the time to help out backstage as often as they can. It's a great way to meet people, learn a new skill, and gain an appreciation for an area that you might not have experienced before.
April 2024 - 9 to 5 the Musical
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We are starting our year long highlight of all our amazing female production team members with Alyssa Moore who is producing 9 to 5!
We asked her to answer a few questions for us to share her experiences as a woman in theatre and offer any insights she might have to any women who aspire to do the same. |
How long have you done theatre?
My first show was in 7th grade
How long have you worked with Town & Country?
My first T&C production was Beauty and the Beast in 2006
What initially drew you to theater?
I was a shy, self-conscious, super emotional kid who played sports but also loved to sing. I auditioned for my middle school musical and was terribly nervous. I remember the director saying to me, "there's no crying in baseball." And suddenly I was surrounded by the most supportive group of people. I broke out of my shell and finally felt comfortable when I had the chance to be someone else on the stage. It's that feeling that drew me in, but it's the people who kept me going. The people who build you up when you're the most vulnerable.
What has been one of your favorite theatrical experiences and why?
My favorite theatrical experience was Beauty and the Beast at Town and Country. From the auditions to closing night, it truly felt like home. Everyone genuinely cared about one another; there were hundreds of inside jokes and incredible memories created. I constantly turn to that show when I think about how to make people feel supported and included. What I come back to is that everyone talked about each other the same way to their faces, but also when they weren't in the room. There was so much respect and admiration for everyone involved.
Do you have any advice for women who want to be in your role in theater?
This is my first time in the Producer role at T&C, so I'm certainly not an expert. I can say that I am loving the opportunity to work on this side of the production, especially surrounded by strong women. If this is a position that interests you, focus on your strengths and skills and let them authentically flow into the work. I love relationship building, so I relied on some incredible ladies who have done this role before - I learned their process, asked lots of questions, and figured out what the position would look like for me. Most importantly, in any leadership role: lead with empathy.
What would you tell your younger self?
Perfection is an unrealistic standard. Embrace your imperfections, because they make you who you are. Avoid the trap of comparing yourself to others; everyone's path is different. Instead, focus on your own journey and celebrate your unique strengths and achievements. Be patient with yourself; growth takes time. Trust in yourself and your abilities, and know that you are on the right path.
Is there anything else you would like to add about yourself and/or your theatrical journey?
In this Year of the Women, I'd like to offer some thoughts:
My first show was in 7th grade
How long have you worked with Town & Country?
My first T&C production was Beauty and the Beast in 2006
What initially drew you to theater?
I was a shy, self-conscious, super emotional kid who played sports but also loved to sing. I auditioned for my middle school musical and was terribly nervous. I remember the director saying to me, "there's no crying in baseball." And suddenly I was surrounded by the most supportive group of people. I broke out of my shell and finally felt comfortable when I had the chance to be someone else on the stage. It's that feeling that drew me in, but it's the people who kept me going. The people who build you up when you're the most vulnerable.
What has been one of your favorite theatrical experiences and why?
My favorite theatrical experience was Beauty and the Beast at Town and Country. From the auditions to closing night, it truly felt like home. Everyone genuinely cared about one another; there were hundreds of inside jokes and incredible memories created. I constantly turn to that show when I think about how to make people feel supported and included. What I come back to is that everyone talked about each other the same way to their faces, but also when they weren't in the room. There was so much respect and admiration for everyone involved.
Do you have any advice for women who want to be in your role in theater?
This is my first time in the Producer role at T&C, so I'm certainly not an expert. I can say that I am loving the opportunity to work on this side of the production, especially surrounded by strong women. If this is a position that interests you, focus on your strengths and skills and let them authentically flow into the work. I love relationship building, so I relied on some incredible ladies who have done this role before - I learned their process, asked lots of questions, and figured out what the position would look like for me. Most importantly, in any leadership role: lead with empathy.
What would you tell your younger self?
Perfection is an unrealistic standard. Embrace your imperfections, because they make you who you are. Avoid the trap of comparing yourself to others; everyone's path is different. Instead, focus on your own journey and celebrate your unique strengths and achievements. Be patient with yourself; growth takes time. Trust in yourself and your abilities, and know that you are on the right path.
Is there anything else you would like to add about yourself and/or your theatrical journey?
In this Year of the Women, I'd like to offer some thoughts:
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1. Celebrate Each Other's Successes: Acknowledge and celebrate the achievements of other women. Whether it's a promotion, a personal milestone, or a success in their passion project, showing genuine happiness for each other goes a long way.
2. Empower Rather Than Compete: Instead of viewing other women as competition, see them as allies and sources of inspiration. Lift each other up and help each other succeed. 3. Challenge Gender Stereotypes: Be aware of and challenge stereotypes and biases that may limit or harm women. Encourage others to do the same. 4. Practice Self-Care: Take care of yourself so you can be a source of strength and support for others. Prioritize your own well-being and encourage other women to do the same. 5. Lead by Example: Be a role model for building each other up. Your actions can inspire others to do the same. |
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Meet the powerhouse behind our next production in Town & Country Players' Year of Women in Production! Directors play a crucial role in bringing stories to life on stage, and we are thrilled to have the talented Jessica Briggs leading the charge in bringing 9 to 5, the musical, to life. Get ready for a phenomenal showcase of women's talent both on and off the stage!
We asked Jess about her insights on women in theatre and her experience with T&C and beyond! |
What production(s) are you working on and in what role(s)?
9 to 5, Director
How long have you done theatre?
33 Years
How long have you worked with Town & Country?
6 Years
What initially drew you to theater?
I saw my first Broadway show at age 8, Into The Woods, and that was the beginning of my love for theater!
Who is your favorite woman character in theater?
Lady Macbeth
What has been one of your favorite theatrical experiences and why?
Directing the "Probably Doomed" cabaret for T&C last summer! It was so exciting to put together a show where the performers had the chance to sing songs they may have never had the opportunity to perform otherwise. We held nothing back, and they gave some of the most beautiful performances I have seen. It was one of those shows where everyone gave their all, and created such a beautiful experience for the audience and for themselves. I will be forever grateful for the opportunity!
What would you tell your younger self?
Never let anyone tell you that you can't do something. If you want something, make it so. Keep pushing boundaries, keep testing the limits, keep proving people wrong. Nobody is going to give you what you want, you have to earn it.
9 to 5, Director
How long have you done theatre?
33 Years
How long have you worked with Town & Country?
6 Years
What initially drew you to theater?
I saw my first Broadway show at age 8, Into The Woods, and that was the beginning of my love for theater!
Who is your favorite woman character in theater?
Lady Macbeth
What has been one of your favorite theatrical experiences and why?
Directing the "Probably Doomed" cabaret for T&C last summer! It was so exciting to put together a show where the performers had the chance to sing songs they may have never had the opportunity to perform otherwise. We held nothing back, and they gave some of the most beautiful performances I have seen. It was one of those shows where everyone gave their all, and created such a beautiful experience for the audience and for themselves. I will be forever grateful for the opportunity!
What would you tell your younger self?
Never let anyone tell you that you can't do something. If you want something, make it so. Keep pushing boundaries, keep testing the limits, keep proving people wrong. Nobody is going to give you what you want, you have to earn it.
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Introducing another production team member of 9 to 5 the musical, Marissa Miller!
As we continue to celebrate the Year of Women in Production, Marissa brings her passion and expertise to the stage, showcasing the incredible talent of women both on and off stage. Stay tuned for an unforgettable performance and hear Marissa's thoughts on women in theatre, her journey with T&C and more! |
What production(s) are you working on and in what role(s)?
9 to 5, choreographer
How long have you done theatre?
20 years
How long have you worked with Town & Country?
3 years
Are there any women in the theatrical industry from whom you draw inspiration?
My mom, Streisand, Taylor Louderman
What initially drew you to theater?
My love for singing, and the people
What has been one of your favorite theatrical experiences and why?
Working on Seussical or Hello Dolly, as well as performing in Footloose and Addams Family. In those productions, we built such a supportive community and it was filled with love and great memories.
Do you have any advice for women who want to be in your role in theater?
Work hard and you have to always advocate for yourself. Believe you can and you will.
Who is your favorite woman character in theater?
Depends on the day, but I love Jo from Little Women.
What would you tell your younger self?
Do NOT give up you are almost there!
What would you do if you knew you could not fail?
Write a show or a movie
9 to 5, choreographer
How long have you done theatre?
20 years
How long have you worked with Town & Country?
3 years
Are there any women in the theatrical industry from whom you draw inspiration?
My mom, Streisand, Taylor Louderman
What initially drew you to theater?
My love for singing, and the people
What has been one of your favorite theatrical experiences and why?
Working on Seussical or Hello Dolly, as well as performing in Footloose and Addams Family. In those productions, we built such a supportive community and it was filled with love and great memories.
Do you have any advice for women who want to be in your role in theater?
Work hard and you have to always advocate for yourself. Believe you can and you will.
Who is your favorite woman character in theater?
Depends on the day, but I love Jo from Little Women.
What would you tell your younger self?
Do NOT give up you are almost there!
What would you do if you knew you could not fail?
Write a show or a movie
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Who's ready for another weekend of 9 to 5? I hope you're also ready for another installment of our Year of Women in Production! Meet Sue den Outer, the Music Director for 9 to 5!
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What production(s) are you working on and in what role(s)?
9 to 5 Music Director
How long have you done theatre?
40 years!! (some time off in between)
How long have you worked with Town & Country?
2 years (first show was Guys and Dolls with Sheldon Zeff)
Are there any women in the theatrical industry from whom you draw inspiration?
All actresses and actors constantly amaze me with their talent and devotion to the art. But, behind the scenes (or in the pit!) are so many wonderful women and men who do not necessarily get the name recognition, but whose value is immeasurable.
What initially drew you to theater?
The music and escape from reality
What has been one of your favorite theatrical experiences and why?
Little Women because of the connection to a childhood favorite novel, the beautiful score and the people who became dear friends.
Do you have any advice for women who want to be in your role in theater?
Put yourself out there and ask to play with us crazy, theater-loving, talented musicians.
Who is your favorite woman character in theater?
Tough one, but I’ll say Elphaba: strong-willed, grounded (well not always, but you know what I mean), passionate.
What would you tell your younger self?
You do not need to do all of the shows … 😂.
What would you do if you knew you could not fail?
Play in a Broadway pit.
Is there anything else you would like to add about yourself and/or your theatrical journey?
My journey is far from over!!
9 to 5 Music Director
How long have you done theatre?
40 years!! (some time off in between)
How long have you worked with Town & Country?
2 years (first show was Guys and Dolls with Sheldon Zeff)
Are there any women in the theatrical industry from whom you draw inspiration?
All actresses and actors constantly amaze me with their talent and devotion to the art. But, behind the scenes (or in the pit!) are so many wonderful women and men who do not necessarily get the name recognition, but whose value is immeasurable.
What initially drew you to theater?
The music and escape from reality
What has been one of your favorite theatrical experiences and why?
Little Women because of the connection to a childhood favorite novel, the beautiful score and the people who became dear friends.
Do you have any advice for women who want to be in your role in theater?
Put yourself out there and ask to play with us crazy, theater-loving, talented musicians.
Who is your favorite woman character in theater?
Tough one, but I’ll say Elphaba: strong-willed, grounded (well not always, but you know what I mean), passionate.
What would you tell your younger self?
You do not need to do all of the shows … 😂.
What would you do if you knew you could not fail?
Play in a Broadway pit.
Is there anything else you would like to add about yourself and/or your theatrical journey?
My journey is far from over!!
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Introducing another production team member of 9 to 5 the musical, Tammy Tuckey!
As we head into the final weekend of 9 to 5 at T&C we'd like to take this time to highlight the production's Stage Manager, Tammy Tuckey! |
What production(s) are you working on and in what role(s)?
"9 to 5" - Stage Manager
How long have you done theatre?
Since 2004 - my first show was Rogers and Hammerstein's "Cinderella"!
How long have you worked with Town & Country?
Since 2021 - my first production was "12 Angry Jurors."
Are there any women in the theatrical industry from whom you draw inspiration?
"Barbra Streisand - she's done it all and during her legendary 1994 concert, she summed it up with a song:
"I've hеard them say, 'Songwriting, acting, producing
What makes her think that shе can?'
Or better yet, 'Songwriting, acting, producing
What does she think, she's a man?'
What has been one of your favorite theatrical experiences and why?
"The Mousetrap" at T&C. A great group of actors who enjoyed each others company on stage and off.
Do you have any advice for women who want to be in your role in theater?
Organization and safety is key with the role of a stage manager. Safety takes a priority over everything. If you know this, you can't go wrong!
Who is your favorite woman character in theater?
Christine from "The Phantom of the Opera." She has lived through loss and abuse, but her love for others reigns and shines true in the end, never faltering.
What would you tell your younger self?
Show business is that - show (the fun part) and business (the not-so-fun part). Your talent will always shine through in whatever part you play - enjoy the experience and company of the people you get to work with.
What would you do if you knew you could not fail?
Direct a feature-length film.
"9 to 5" - Stage Manager
How long have you done theatre?
Since 2004 - my first show was Rogers and Hammerstein's "Cinderella"!
How long have you worked with Town & Country?
Since 2021 - my first production was "12 Angry Jurors."
Are there any women in the theatrical industry from whom you draw inspiration?
"Barbra Streisand - she's done it all and during her legendary 1994 concert, she summed it up with a song:
"I've hеard them say, 'Songwriting, acting, producing
What makes her think that shе can?'
Or better yet, 'Songwriting, acting, producing
What does she think, she's a man?'
What has been one of your favorite theatrical experiences and why?
"The Mousetrap" at T&C. A great group of actors who enjoyed each others company on stage and off.
Do you have any advice for women who want to be in your role in theater?
Organization and safety is key with the role of a stage manager. Safety takes a priority over everything. If you know this, you can't go wrong!
Who is your favorite woman character in theater?
Christine from "The Phantom of the Opera." She has lived through loss and abuse, but her love for others reigns and shines true in the end, never faltering.
What would you tell your younger self?
Show business is that - show (the fun part) and business (the not-so-fun part). Your talent will always shine through in whatever part you play - enjoy the experience and company of the people you get to work with.
What would you do if you knew you could not fail?
Direct a feature-length film.
