AUDITION NOTICE
T&C's One Act Festival
T&C stages a group of One-Acts to give its fledgling directors an opportunity to show their stuff and qualify to direct one of our main stage productions.
Come out to see our new directors-in-the-making and enjoy some very entertaining performances at the Barn. Executive Director: Jim Moore Producer: Colby Langweiler |
A Ringing of Doorbells by Thornton Wilder Directed by Caity Logan ******* Foreplay, or the Art of the Fugue by David Ives Directed by Brandon Bacorn ******* Please Have a Seat and Someone Will Be With You Shortly by Garth Wingfield Directed by Victoria Schultheis ******* The Worker by Walter Wykes Directed by Paul Pride ******* Wanda's Visit by Christopher Durang Directed by Matthew Moore |
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SHOW DATES
April 4 & 5 at 8:00 PM April 5 & 6 at 2:00 PM AUDITIONS Tuesday Jan 28 from 7:30 pm to 10:00pm Tuesday Feb 4 from 7:30pm to 10:00pm Location: BUCKINGHAM TOWNSHIP BUILDING (Lower Level) 4613 Hughesian Drive, Buckingham, PA 18912 View Map Other required dates: Tech (3/30), Tech Week (3/31-4/2), All Performances (4/4-4/6), and Strike (4/6 following show) AUDITION INFORMATION Town and Country Players Theatre strives to be an organization inclusive of all individuals, cultures, and communities. We want to cast shows that reflect our common humanity and to create safe, welcoming environments. All roles are open to performers of any race, gender, or identity. Town and Country Players is a nonprofit, community based theater. All roles are non-AEA and unpaid. To sign up for a 10 minute Audition slot or to ask questions, please email our producer Colby Langweiler at tandc.producer.04@gmail.com
Audition Instructions Auditioners should prepare a 1-2 minute contemporary monologue. You will be also be asked to read sides from our different one acts during your allotted time slot. Walk-ins are accepted, but appointments are preferred. Please bring your theatrical resume, a headshot, and a list of any conflicts. A Ringing of Doorbells
by Thornton Wilder Directed by Caity Logan ABOUT THE SHOW A mother-daughter team of con-artists are putting the touch on the widows of military brass. Mrs. McCullem, housekeep for the wonderfully regal but now wheel chair-bound widow of General Beattie, recognizes them in the drug store–having witnessed the two pull their game on her previous employer–and overhears them asking directions to the Beattie home! The play begins as she rushes back to warn Mrs. Beattie of the impending danger. Sure enough, the doorbell rings and our charlatans appear with quite a story. But instead of throwing them out or turning them over to the police, the widow Beattie allows the game to be played. Character Descriptions MRS. BEATTIE, (female-presenting, age 60 or older), a military widow who has lost her daughter, crippled with arthritis
MRS. MCCULLUM, (female-presenting, any age), Mrs. Beattie’s housekeeper, loyal and protective MRS. KINKAID, (female-presenting, age 40s-50s), Mrs. Beattie’s caller, con-artist, driven by her daughter DAPHNE, (female-presenting, age 18-25), Mrs. Kinkaid’s daughter, the mastermind Foreplay, or the Art of the Fugue
by David Ives Directed by Brandon Bacorn ABOUT THE SHOW "FOREPLAY or: The Art of the Fugue" brings us Chuck, a would-be Don Juan, in three rounds of seduction with three different women on a miniature-golf course. Character Descriptions CHUCK I: male, 20's -30's, a player/ Casanova who has a set plan
AMY: female, 20's -30's, full of excitement and a little naive at times. CHUCK II: male, 20's -30's, a player/ Casanova who has a set plan ANNIE: female, 20's- 30's, dry witted, a little cautious with relationships. CHUCK III: male, 20's -30's, a player/ Casanova who has a set plan ALMA: female, 20's- 30's, full of confidence, is a little strong at times and plays her own game |
Please Have a Seat and Someone
Will Be With You Shortly by Garth Wingfield Directed by Victoria Schultheis ABOUT THE SHOW David and Sue sit there week after week in their shrinks' waiting room reading magazines. So who says you should never talk to strangers? Character Descriptions David (20-40s): The kind of person you might not notice at first.
Sue (20s-40s): Pretty, though she has no idea about it The Worker
by Walter Wykes Directed by Paul Pride ABOUT THE SHOW In this dark comedy a MAN and WOMAN are forced to face hard truths about the current state of their relationship. The WOMAN, a homemaker, finds herself desiring a child more than anything in the world, in order to cope with the loneliness of her husband's long work hours. The line between reality and fantasy becomes blurry as the WOMAN becomes increasingly close to a doll, whom she treats as her own child. The MAN makes his best attempts to provide for his family but, over-exerts himself day in and day out for a company that could care less if he lives or dies. His all-consuming desire to fulfill his patriarchal duties creates a rift in their marital bond and even threatens his safety. The two battle their own insecurities, desperation, and manic episodes, as they attempt to save what is truly important to them. Character Descriptions WOMAN – Female, 25-35 years old. Beautiful, young homemaker who desperately wants a child. Caring and motherly, yet neurotic
MAN – Male, 25-35 years old. Handsome, overly ambitious young professional. Patriarchal outlook. Outwardly confident but truly desperate and scared. MESSENGER – Male or Female, 18-25 years old. Non-Descript – although not unlike a younger MAN Wanda's Visit
by Christopher Durang Directed by Matthew Moore ABOUT THE SHOW Wanda’s Visit is a darkly comedic play that follows Jim and Marsha, a married couple stuck in routine after 13 years of marriage, as their lives are thrown into chaos by the arrival of Wanda, Jim’s eccentric and overly dramatic ex-girlfriend from High School. Wanda’s unfiltered behavior and chaotic energy disrupt the couple’s mundane life, forcing them to confront their own relationship’s cracks. A sharp and witty exploration of nostalgia, leading to a series of unexpected revelations about love and relationships. Character Descriptions Jim (Male, 30s-50s): A mild-mannered, traditional, and slightly repressed man. Jim is married to Marsha and is content with their predictable, suburban life—until Wanda's visit disrupts it. He tries to maintain control amidst the chaos but is easily overwhelmed. A subtle sense of humor and strong comedic timing are essential.
Marsha (Female, 30s-50s): Jim’s loyal and sensible wife, who is increasingly dissatisfied with their marriage but unwilling to admit it outright. Marsha is reserved but becomes progressively unhinged as Wanda stirs up tension. She has a quick wit and moments of vulnerability. Wanda (Female, 30s-50s): A larger-than-life, eccentric, and flamboyant woman who is Jim’s old high school girlfriend. Wanda’s energy is chaotic and overwhelming; she’s oblivious to social boundaries and thrives on drama. Requires excellent comedic timing and a knack for physical comedy. The Waiter (Any gender, 20s-50s): A supporting role that provides commentary during the restaurant scene. The Waiter is dry and unbothered by the chaos around them, offering opportunities for comedic delivery. |
AUDITION NOTICE
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Nine The Musical
Book by Arthur Kopit Music and Lyrics by Maury Yeston DIRECTOR: Nancy Ridgeway ridgeway.nar@gmail.com PRODUCER: Annamarie Hughes Music Director: Joe Nappi |
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SHOW DATES
April 25, 26, May 2, 3, 9 & 10 at 8:00PM April 27, May 3, 4 & 10 at 2:00 PM AUDITIONS Saturday, February 1 from 11:00 AM - 5:00 PM Sunday, February 2 from 6:00 PM - 9:00 PM DANCE CALL BACKS (by invitation only) Wednesday, February 5 from 7:00 - 10:00 PM Auditions and Call backs will be held at the Buckingham Township Building 4613 Hughesian Drive Buckingham, PA 18912 Lower Level Actors and singers of all ethnicities and backgrounds are encouraged to audition. All roles are open. **Performance and Rehearsal Information** Performances will take place at the Town and Country Players Theater: Rehearsals will begin Sunday, February 9th, and are expected to be 3-4 times per week, tentatively Sun/Tues/Wed/Thurs. A tentative rehearsal schedule, subject to availability depending on casting, will be provided at the auditions. Please disclose all conflicts at the audition. Audition Requirements:
* **Vocal Auditions:** Actors will sing a song from the show consistent with their desired role (see character breakdown) and will be provided the sheet music to prepare. Ensemble members will also be given sheet music to prepare. Please bring sheet music with you to the audition as an accompanist will be present. * **Dance Audition:** All actors will participate in a short dance/movement audition. We are also seeking 6 dancers for the ensemble. The callback on February 5th is specifically for the dance ensemble; singing ability is not required for the dance ensemble. A dance callback will be held on February 5th, 7:00 PM at the Buckingham Township Building. **Scheduling Your Audition** To schedule an audition or ask questions, please email Director Nancy Ridgeway at ridgeway.nar@gmail.com. Include your theatrical resume, headshot, and your desired role. You will receive an audition time slot, sides and music to prepare. Walk-ins are welcome, but scheduled auditions are appreciated. |
ABOUT THE SHOW
"Nine" is a musical inspired by Federico Fellini's film "8 1/2" and revolves around the life of renowned Italian filmmaker Guido Contini. As he struggles with a creative block while attempting to direct his latest film, Guido finds himself caught between the various women in his life, including his wife, his muse, his mistress, and his mother. Set in 1960s Italy, the story unfolds through a series of flashbacks and musical numbers, revealing Guido's relationships, desires, and inner conflicts. Each woman represents a different facet of his life and identity, challenging him to confront his fears and insecurities. As Guido navigates his artistic dilemmas and personal turmoil, the musical explores themes of love, betrayal, and the quest for self-discovery. With its lush score and rich character dynamics, "Nine" ultimately reflects on the complexities of creativity and the pursuit of authenticity in both art and life. CHARACTER DESCRIPTIONS Guido Contini: (Baritone/Tenor) Considered one of the greatest roles for an actor/ singer in modern-day musical theater. Age 40 (could go younger or older). A world famous film director going through a midlife crisis. A lover of all women. He is sexy, outrageous, strong, funny and vulnerable all at the same time. Audition Song: Guido’s Song Young Guido: (Boy Soprano) Guido at the age of 9 or appears to be age 9 on stage. Guido's inner child who is ultimately his salvation. Should be comfortable with movement. Audition song: Getting Tall Luisa Contini : Alto. Guido's wife (30’s but can go younger or older) A former actress who is well aware of her husband's artistic genius and his infidelities. Audition Song: My Husband Makes Movies Carla : Soprano/ with belt mix. Guido's mistress. Somewhere between 18 and 25. Young, sexy, smart, and very naive. Should move well if possible. Will have a solo dance/movement while singing, A Call from the Vatican. Audition Song: A Call from the Vatican Claudia : Mezzo Soprano. Guido's Muse. Any age. A movie star and Guido's former lover. The leading actress in all of his early films. Audition Song: Unusual Way Guido's mother : Soprano. The one woman Guido loves without deception. She is strong, loving, and extremely honest. She appears to Guido in memories of his past and predictions of his future. Audition Song: Nine Liliane La Fleur: Alto. Guido's producer and former star of the FoliesBergere. A mature actress. A true Diva and a cunning business woman. Speaks with a French accent. Should be able to handle minimal “ showgirl “ choreography or more. Audition Song: Folies Bergeres Stephanie Necrophorus: Alto. A film critic. Not a fan of Guido's work and highly critical of him. Audition Song: Folie Bergeres (section for Necrophorus) Serraghina: Alto. A voluptuous prostitute from Guido's past. 35 40 ( could go younger or older ). A lusty Earth Mother who tells the young Guido about sex. Must have a good sense of rhythm. Audition Song: Be Italian Mama Maddalena: Alto. The manager of the spa. She is feisty and comical 30+. Audition Song: Not Since Charlie Chaplin Our Lady of the Spa: Soprano. A spiritual being. Guido's ethereal guide of the spa. Audition Song: Not Since Charlie Chaplin Lina Darling: Alto or Soprano. Liliane La Fleur’s bodyguard: A sinister figure who could determine Guido's life or death. Any age. Audition Song: Not Since Charlie Chaplin Ensemble: The Italians: Maria, Giulietta, Annabella, Francesca, Diana, Renata. The Germans: Olga Von Sturm, Heidi VonSturm, Ilsa VonHesse, Gretchen VonKrupf. All roles have specific character traits and dialogue. All different types and vocal ranges. Wonderful comical roles for character actresses. Audition Song: Not Since Charlie Chaplin |
AUDITION NOTICE
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Picasso at the Lapine Agile
Written by Steve Martin DIRECTOR: Jessa Casner
PRODUCER: Kierney Corliss ASST. PRODUCER: Dana Joy Carducci |
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SHOW DATES
May 30, 31, June 6, 7, 13 & 14 at 8:00PM June 1, 8 & 14 at 2:00 PM AUDITIONS Friday, February 21 from 6:00 PM - 10:00 PM Saturday, February 22 from 1:00 PM - 5:00 PM Sunday, February 23 from 9:00 AM - 12:00 PM CALLBACKS by invitation: Sunday 2/23; 3-6 PM Auditions and Call backs will be held at the Buckingham Township Building 4613 Hughesian Drive Buckingham, PA 18912 Lower Level Seeking 9 actors ages 21+. All roles are OPEN to actors of all genders, races, and abilities! We’re looking for an energetic cast to bring this tongue-in-cheek, thought-provoking, passionate play to life! The script is available for review at https://drive.google.com/file/d/1fnpOrQH9iHSlZxPQ6ntDobrp4keb77g6/view?usp=drive_link (Please disregard any notes or stage directions in red, they do not apply to this production; digital script is for reading purposes only) The Picasso creative team is dedicated to maintaining a family-friendly environment. Those cast in this production will be required to submit clearances as described at the following link: Child Abuse Clearances | Department of Human Services | Commonwealth of Pennsylvania Sign up at Town and Country Players: Picasso Auditions Audition Requirements:
What to Prepare? Sides will be emailed to you after you have signed up for an audition slot. Choose 1 monologue for the character you’re most drawn to. The monologue does not have to be memorized but please familiarize yourself with the material enough to show physicality. We’d love to hear your best accent as well if one is listed in the character description! Be prepared to read for additional characters if you’d like to be considered for more than one role. |
ABOUT THE SHOW
"Picasso at the Lapin Agile" is a comedic play by Steve Martin set in a Parisian bar in 1904, where iconic figures like Pablo Picasso and Albert Einstein cross paths. The story unfolds in the whimsical atmosphere of the Lapin Agile, a lively cabaret frequented by artists and intellectuals. As they engage in witty banter, philosophical debates, and playful competitions, the two geniuses ponder the nature of creativity, fame, and the future. The play explores themes of artistic ambition, the clash of ideas, and the fleeting nature of genius, all while blending humor with thought-provoking dialogue. Throughout the evening, the characters grapple with their aspirations and the impact of their work, ultimately reflecting on the transformative power of art and science. The interplay between Picasso and Einstein serves as a metaphor for innovation and the unpredictable journey of creativity. CHARACTER BREAKDOWN Freddy+: Character age/presents as: 25-35 male presenting. Barkeep and Owner of the Lapin Agile. Lots of physicality. Onstage for almost the entire duration of the show. Must be comfortable with improv/ad-libbing and crowd work. When it comes to love, he is maybe a little more insecure than he thought, excels at his job, salt-of-the-earth, practical, occasionally, he is exceptionally wise Gaston: French accent: Character age/presents as: 50-65 male presenting. Constantly on and offstage. An older gentleman. As he is sure to remind you. Has to strike a balance between good-natured and cheeky, he cannot be too sweet but also cannot be completely disrespectful, think older George Clooney-esque schmaltzy energy (or at least that’s how he envisions himself). Germaine+: Character age/presents as: 25-35 female presenting. Onstage for almost the entire duration of the show. A waitress, girlfriend of Freddy, works at the Lapin Agile, think of a young Gertrude Stein. Sharp, witty, knows who she is and what she wants, self-assured, poised, dignified, smarter than anyone gives her credit for, bored, knows the power of her feminine wiles **Albert Einstein: Character age/presents as: 25 male presenting. jovial, understanding, patient, scholarly, brilliant, competitive (when provoked). Suzanne+: Character age/presents as 19, (seeking an actor 21+ as this role also doubles the Countess and A Female Admirer) female presenting. - Suzanne is a bright young woman. Endless potential. Perhaps a bit naive but quickly becoming less so. Flirty, charming, resolute, and savvier than she’s given credit for. - The Countess - Light German accent. Brainy, brilliant, bubbly, smarter than Einstein - A Female Admirer - silly, vain, chasing after a foolish charlatan, a diehard fan Sagot: Character age/presents as: 35-45 male presenting. He is Picasso’s art dealer, a smart businessman, brusque, direct, will occasionally indulge his more fun-loving side **Pablo Picasso+: Character age/presents as: 23 male presenting. larger than life, vibrant, egotistical, charming not sincere but not unlikeable, dynamic, compelling Charles Dabernow Schmendiman: Any Accent or no accent, perhaps he is American. Character Age/presents as: 23-43. Can be the same age as or a little older than Picasso and Einstein. Male Presenting. A charlatan, a wannabe, possesses a lot of unearned confidence and no real talent or skill to back it up **The Visitor - Southern drawl. Character age/presents as: 20-30 male presenting. Let’s just say he’s spent a night or two at the Heartbreak Hotel. He enters wearing blue suede shoes. A time traveler. Charming AND sincere, docile, demure, wise as he brings with him knowledge of the future. **it is important to note, for those interested in auditioning for Picasso, Einstein, or the Visitor, these characters do not have to be biographically accurate, let loose and have fun, looking for big personalities, bold choices, what’s more important is that in this absurdist comedy they represent the concepts of Art, Science, and Music respectively +Staged Intimacy - please note, the following roles call for stage intimacy in the form of kissing and embracing: Picasso, Germaine, Suzanne, and Freddy. We will be working with an intimacy coordinator when blocking those scenes. Do you play any instruments? If so, don’t be shy, let us know! Proficiency in musical instruments: a bonus but not at all required! |
